Tips From The World Champ
"Cobra" completed, Valentino goes to work on his next film (and his first on a three picture contract with United Artists at a salary of $10,000 a week for filming three movies for the company and a contract in it that has a clause banning Valentino's wife from participating in the production of his movies or being on the set when they are being filmed), plus a percentage of the profits. The first movie Valentino makes under his United Artists agreement is called "The Eagle," and is a romantic adventure story (of course) based on an 1841 novel by Alexander Pushkin set in 18th-Century Imperial Russia. In the film, Valentino plays Lt. Vladimir Dubrovsky, a Russian Army officer that saves a beautiful young lady (Vilma Banky as Mascha) and her aunt from a runaway stagecoach, which brings him to the attention of Czarina, Catherine the Great (played by Louise Dresser) who decides she wants the dashing young hero, but he doesn't want her and spurns becoming romantically involved with the Czarina, a decision that gets him declared a deserter and puts a price on his head from the spurned Imperial. At roughly the same time, an evil nobleman named Kyrilla Troekouroff (played by James Marcus) seizes the land belonging to the Dubrovsky family and has Valentino's father killed. Vowing revenge, Valentino's character transforms himself into a masked avenger called "The Black Eagle" that goes about protecting and avenging the injustices Troekouroff has wrought on the peasant population of the area. Complicating matters greatly, he is in love with Mascha, who turns out to be the daughter of the evil Troekouroff. Wanting to be near the women he loves, but that doesn't recognize him as her savior from earlier in the movie, and to gain revenge on the evil Troekouroff, Valentino assumes the role of a never before seen French tutor named Monsieur LeBlanc that is assigned to the Troekouroff household. Eventually Dubrovsky is exposed as being both "The Black Eagle" and Monsieur LeBlanc, and the movie's hero is arrested and turned over to the Czarina for execution, but of course at the last minute she has a change of heart and instead of putting Valentino's character to death (though she believes the execution has taken place), with the help of General Kushka (played by Austrian-American actor Albert Conti), Dubrovsky is sent to Paris as Monsieur LeBlanc with Mascha in tow, presumably to live happily ever after. Finally another hit for Valentino, the film makes a profit for both Valentino and United Artists, and is remembered for it's famous extended tracking shot of a large party taking place at a 60 foot long banquet table (directed by Clarence Brown and featuring the production designs of William Cameron Menzies) that will eventually be nominated by The American Film Institute for its 2001 listing on the group's 100 Most Thrilling American Movies of All Time (and in an uncredited role, a young actor by the name of Gary Cooper plays a masked Cossack in the Black Eagle's band of brigands).
Banky & Valentino In "The Eagle"
Along with the two movies he makes in 1925, and the work Valentino does on his Falcon Lair estate, the movie star finds time to establish a acting award called the Rudolph Valentino Medal for Screen Acting (as chosen by a select group of 75 major newspaper and periodical film critics, two official judges, and the actor himself) that is given to John Barrymore for his 1924 role in the film "Beau Brummel" (Valentino will personally present the winner with a medal during a dinner and award ceremony that takes place at the Ambassador Hotel in Los Angeles before a gathering of notable Hollywood celebrities that include Marion Davies and Douglas Fairbanks, Norma and Constance Talmadge, Jack Warner, Darryl Zanuck, Hal Wallis, Bess Meredith, and Ernest Lubitsch). Additional pleasures not already mentioned come to the actor from cooking delicious but simple Italian dishes such as spaghetti and meatballs, driving about town in his collection of cars that included a Isotta Fraschini Italian touring car, a Rolls-Royce Silver Ghost (with a unique alligator paint finish), a French Avion Voisin, a Franklin Coupe, and for work around his home, a Ford truck, adding to his clothing collection of 40 suits, 300 neckties, 50 pairs of shoes, Homburg hats without their typical silk brims, and acquiring numerous gold, silver, and diamond cufflinks, fine watches, and scarf pins (he also often wears a slave bracelet given to him by his wife). And dating back to documenting his early days in America, Valentino becomes a photography enthusiast that has an extensive collection of high-quality equipment at his home that includes top-of-the-line French Debrie cameras, and a number of cameras for filming home movies (on his sets he can often be found filming behind-the-scenes footage).
Valentino Awarding Barrymore His Medal While
The Master Of Ceremonies For The Evening, Director And
Screenwriter Rupert Hughes Looks On
Valentino At His Estate With His 1923 Voisin C5 Sporting
Victoria And His Doberman Pinscher Pinscher, Kabar
Officially divorced from Natacha Rambova (the parting comes as a result of the actor tiring of his wife's influence on his film choices, costumes, and career management, the couple's differing views on marriage, Rambova's refusal to give her husband the child he longs for, and the discovery that his wife has had an affair with cinematographer Devereaux Jennings while the pair are filming "What Price Beauty?") in Paris, France as 1925 comes to an end (while awaiting his parting from Rambova, Valentino spends time in London promoting "The Eagle" and begins a romance with sultry Polish actress Pola Negri). Returning to the United States by the time 1926 begins, in February the actor starts filming another "Sheik" movie (the United Artists production will be shot in Hollywood, California and in Arizona's Yuma Desert where temperatures clock in at 110 degrees Fahrenheit, the cast and crew live in tents while being plagued by hordes of sand flies and having hot sand get in everything ... despite the hardships of the desert locations, Valentino will not utter a word of complaint), a followup to the original movie (and novel by Edith Maude Hull), in "The Son of the Sheik the star will tackle the duel rolls of his character from the first movie, Sheik Ahmed Ben Hassan, and the sheik's son, also named Ahmed. In the second "Sheik" film, the younger Ahmed falls for a local dancing girl named Yasmin (played by Vilma Banky), which leads to trouble because her father (played by George Fawcett) is the secret leader of a group of brigands, one of which, a treacherous Moor named Ghabah (played by Montagu Love), is betrothed to the young lass. Pursuing a secret romance with Yasmin, Ahmed Jr. meets her one too many times at some old ruins outside of the town of Touggourt and is captured by Yasmin's father, his men, and the vicious Ghabah. As a captive being held for ransom, Junior is tortured and told by Ghabah the falsehood that Yasmin betrayed him. Believing the lie, when he escapes captivity with the help of his own men, he seeks revenge against Yasmin. Kidnapping his former love from the Touggourt dance hall, Junior takes her back to his desert camp to wreck his revenge upon her, but is stopped by his father and forced to release her. Heartbroken, she returns to dancing in Touggourt. Meanwhile, Ghabah's subterfuge is uncovered by both Junior's loyal friend, Ramadan (played by Karl Dane) and Yasmin, and when Junior finds out, he sets off to get her back. With the help of his father, Ramadan, and the Sheik's men, Junior is able to get Yasmin back but not willing to let his defeat go, the couple are pursued on horseback across the desert by Ghabah and a climatic fight between the two men (with Valentino doing all his own stunts) takes place in which Junior eventually gains the upper hand over his evil rival and strangles Ghabah to death. Happily-ever-after, the film ends with Junior, Yasmin, and Junior's parents all lovingly riding across the desert to the magnificent future they are sure they'll find. Just the kind of film Valentino's fans have been waiting for, the movie becomes a huge hit after it debuts in downtown Los Angeles at The Million Dollar Theatre on July 9, 1926 (the movie will become a huge hit in America, Canada, and worldwide, eventually bringing in $1,562,733 from American and Canadian audiences, and an additional $4,360,000 from the rest of the world ... the equivalent of roughly $112,794,736.84 in 2025 dollars)
Movie Poster
The Climatic Fight
Movie completed, while Valentino is wrapped up in promoting his latest film (there will be promotional stops in San Francisco, Chicago, and New York City), he also finds time to continue romancing Pola Negri, begins planning his next movie (a film about Renaissance artist and adventurer Benvenuto Cellini), and becomes involved in a real-life feud while in Chicago with the Chicago Tribune over an editorial the paper publishes questioning the masculinity of the actor. The feud will be called the "Pink Powder Puff War" (for men's facial powder being sold in some of Chicago's men's restrooms) and is sparked when an anonymous (the writer is believed to be Tribune writer John Herrick) editorial appears in the paper on July 18 of 1926 in which the "feminization" of America is directly blamed on Valentino and the article questions why no one hasn't drowned the actor years before (there are also rumors that the whole thing is a secret publicity stunt orchestrated by Valentino's press agent, Victor Shapiro). Unsurprisingly, the incensed actor responds by challenging the unknown writer of the calumny to either a boxing or wrestling match to defend his honor (the furious actor will be quoted as stating, "Hoping I will have an opportunity to demonstrate to you that the wrist under a slave bracelet may snap a real fist into your sagging jaw."), but whoever the anonymous man is, he never surfaces and instead, in front of a group of writers, with his friend Jack Dempsey serving as the referee, Valentino fights sportswriter Buck O'Neil of the New York Evening Journal on the roof of New York City's Ambassador Hotel. Not much of a match at all (the whole thing appears to be staged), after the sportswriter lands one punch on the actor, Valentino throws his one punch and knocks down the much larger New Yorker who will exclaim, "That boy has a punch like a mule's kick!" (the controversy will also lead to a brief friendship with the writer H.L. Mencken who the actor consults about how to handle the entire controversy).
On The Road Promoting His Last Movie
Still in New York City promoting the film and himself, the actor is ensconced in a suite at the city's Ambassador Hotel on Park Avenue (at 51st Street) in Manhattan on August 15, 1926, when while reading the Sunday papers, he suddenly clutches his side, gasps in pain, doubles over before falling to the floor and passing out. Ambulance called by his manager George Ullman, the actor is rushed to the nearby Polyclinic Hospital on West 50th Street where in a matter of a few minutes he is being operated on for a ruptured gastric ulcer and appendicitis by a medical team of four doctors (lead surgeon Dr. H.D. Meeker, assistant surgeon Dr. Durham, the senior house physician at the hospital, Dr. Golden R. Battey, and a specialist in stomach diseases, Dr. G. Randolph Manning), assisted by the nurses on duty in the area. Valentino's pulse is 140, but he makes it through the first crisis of his medical emergency (conscious once more, he will ask Dr. Meeker if he is a pink powder puff, and Dr. Durham will quickly respond, "No indeed, you have been very brave," and when his manager arrives he will smile and ask Ullman, "How did I take it?" and when told he handled things just fine, will whisper, "Oh well, once a sheik, always a sheik"), and by August 17th in the hospital the rubber drains placed in the actor's body during his initial surgery stop draining, which is believed to be a good sign. On August 19 of his stomach problems, the actor's pulse and temperature return to normal, and everyone is optimistic that the worst is over. Unfortunately though, his condition suddenly worsens on the morning of August 20 with Valentino complaining about experiencing a chill and that he has severe pains in the upper region of his left abdomen and left chest (his medical team responding immediately, it will be found that the actor has developed pleurisy, which quickly becomes pneumonia in his left lung). The film star's condition continues to worsen on August 21 and August 22, with Valentino's pleurisy growing stronger as he becomes feverish and experiences extreme difficulty breathing as he pants for breath and moans with each inhale, his pulse races, he experiences severe stomach pains, along with nausea and vomiting, and his temperature soars to 104.2 degrees. In the early hours of August 23rd, Valentino is able to recognize his boss, Joseph M. Schenck, Chairman of the Board of Directors of the United Artists Corporation, and tells him, "Don't worry, Chief, I will be all right," tells his manager not to lower the shades in his hospital room, and before lapsing into unconsciousness, unaware he is dying, invites Dr. Meeker to come on a fishing trip later in the year and once more inquires whether he has acted like a "powder puff," then he slips into a final coma and passes away (with Valentino at the end are his manager S. George Ullman, his close friend Frank Mennillo, his surgeon, Dr. Meeker, actress Pola Negri, and the pastor of nearby St. Malachy's Roman Catholic Church, Father Edward F. Leonard who gives the actor the church's last rites) at 12:10 p.m. on August 23, 1926. The actor is 31 years old at the time of his death. .
The Ambassador Hotel
New York Polyclinic Hospital
Following his demise, Valentino's body is placed in a wicker basket, covered with a gold cloth and taken to the Frank E. Campbell Funeral Church where it is embalmed before being dressed in full evening attire and placed on a draped catafalque for public viewing in the establishment's Gold Room. Like a huge super magnet, the body will attract enormous crowds that are estimated to be over 100,000 strong (many of them young women) to the funeral home ... a multitude that stretches out over 11 blocks and crazed by their desire to see the fallen star, start rioting (to which the city responds by sending into the area over 100 mounted officers and members of the NYPD's Police Reserve, the mess of humanity will have to be charged several times before order is finally restored); there will be smashed windows, knocked down barriers, trampled mourners, fights, Broadway being closed for hours at a time, brawls break out with over 100 individuals suffering injuries, several distraught women attempt suicide, and there will also be lots of fainting as the throngs of people leave the area around the funeral parlor littered with torn clothing, hats, umbrellas, and dozens of shoes. And there is more of the same when the actor's body is transported (amazingly, only one person will be arrested during all the funeral tumult) to St. Malachy's Church (famously known as "The Actor's Chapel") on Monday, August 30th at 11:00 in the morning for a private goodbye from celebrities and individuals in the movie industry. The Catholic Requiem Mass will be presided over by the church's rector. Father Edward F. Leonard (assisted by Father Joseph Congedo), will feature Spaeth's "Miserere," Gounod's "Ave Maria," and Massenet's "Elegy" for music (with a side performance of Pola Negri's dramatic weeping) and be attended by celebrities that include actor Douglas Fairbanks (an honorary pallbearer), actress Mary Pickford, actress Gloria Swanson, former Paramount Pictures head Adolph Zukor (an honorary pallbearer ... there will be twelve in all), Valentino's first wife, Jean Acker, actress Madge Bellamy, actor Richard Dix, the actress Talmadge sisters (Constance and Norma), actress Marion Davies (William Randolph Hearst's gal pal), Louise Brooks, and yet another (she starts with her arrival at New York's Grand Central station, beginning a series of mourning art pieces that last until she marries Prince Serge Mdivani months later) special "look-at-me" performance from Pola Negri full of weeping and fainting. And outside the church there is more of the same crowd madness that has been infecting New York City since the actor's death was officially announced, highlighted by several women attempting suicide.
Ardent Admirer Eva Miller Praying Before The Body Of Valentino
The casket carrying Valentino then is driven to New York's Grand Central Station and departs for Los Angeles, California aboard the New York Central Railroad on their "Water Level Rout" ... moving through Albany, Buffalo, and Cleveland, before arriving at Chicago's LaSalle Street Station. There the funeral cars are transferred to the city's Dearborn Station for a journey on the Santa Fe Railroad that will pass through Kansas, Colorado, New Mexico, and Arizona before finally arriving in California (showing up in America after a journey to the United States aboard the White Star liner, "Homeric," Valentino's older brother, Alberto Gugliemi, accompanies his younger brother's body on it's cross country trip to Los Angeles ... also on the cross country train is Pola Negri, who once again does her grieving lover routine ... the journey is also shared by Valentino's grieving manager, S. George Ullman). To prevent the crowd chaos that took place in New York, the actor's remains are quickly removed from the train at the line's El Sereno station in northeast Los Angeles, placed in hearse and driven into Los Angeles, arriving in the city just before 3:00 p.m. on Monday, 9/6, 1926. Valentino's remains are then held by a local undertaker until the following day. On Tuesday, a private funeral service for the actor takes place at the Church of the Good Shepherd in Beverly Hills that is "invitation only" and is once more attended by a who's-who of celebrities (some that also attended his New York ceremony) that includes Mary Pickford, Douglas Fairbanks, Gloria Swanson, the Talmadge sisters, Harold Lloyd, William S. Hart, Jesse Lasky, Pola Negri (doing her standard "grief" routine again), Marion Davies, first wife Jean Acker (and Acker's mother), Adolf Zucker, Valentino's manager, S. George Ullman, June Mathis, and of course, Valentino's older brother. When the traditional Catholic rites are completed, the actor's body is taken to Hollywood Memorial Park (now Hollywood Forever Cemetery) on Santa Monica Blvd. where he is interred in a crypt donated by June Mathis (who dies in New York City the following year at the age of only 40, and now rests beside Valentino) located in the cemetery's Cathedral Mausoleum.
Hearse Loading In El Sereno
At The Church Of The Good Shepard
Being Walked Into His Final Resting Place
Internment Spot - Note The Lipstick Marks
Valentino's story though doesn't end with his death and burial. In debt at the time of his death, Valentino's personal possessions and estate are put up for auction after his death in a heavily publicized event simply titled "Catalogue for the Public Auction of the Estate of Rudolph Valentino" ... and it is basically everything the actor owned. Among the items for sale are his Falcon Lair estate (it will have a handful of owners that get the property for a song ... among them are New York diamond broker Jules Howard who pays $145,000 for the property but never stays in it, actress Ann Harding buys the property for $75,000 and then sells it five months later for $125,00 to a San Francisco nightclub owner, and the property will also be rented out to a variety of tenants, one of which is western star Harry Carey, before being sold to tobacco heiress Doris Duke who buys the estate for an unknown price in 1953 (what is known is that her estate sells the property in 1998 for $2,294,000) and his Whitley Heights home, Villa Valentino, at 6776 Wedgewood Place (it's owners after Valentino are unknown, what is known is that the place is demolished in 1951 to make room for the Hollywood Freeway). Also up for sale at the auction are his automobiles, which include an Isotta Fraschini and a 32-foot wooden yacht able to comfortably sleep eight people called both "Charade" and "The Phoenix' (the actor will only be alive to use the vessel three times), the actor's personal wardrobe of 7 dressing robes, 10 dress suits, 6 pairs of colored Japanese silk pajamas, 146 pairs of socks, 60 pairs of gloves, 10 overcoats, over 100 ties, 60 pairs of shoes, 109 shirt collars, personal effects that include scarf pins, cufflinks, an onyx pocket watch, monogramed silverware, and an assortment of cameras, canes, spats, and vests. Additionally, the items up for auction also include the actor's collections of books, artwork, antique arms and armor, along with a grand piano, and all his dogs and horses. A cornucopia of collectibles that in two auctions (one at the Hall of Arts Studios in Hollywood, and a second in San Francisco shortly after 1927 begins) only garners $96,654 against estate debts that are over a million dollars (in March of 2021, a four acre piece of the property where the estate once stood sells for $15,000,000!).
Catalog Of Items
In 1927, the actor is back in the news as part of a mystery when for the first time on the anniversary of his death, a woman covered from foot to head in black, appears in front of his tomb, prays for a little while and then departs without saying a word, leaving behind a single red rose. For years and years, three decades in all, the mystery woman will show up at Valentino's tomb on the anniversary of his death a leave behind a single red rose. Later it will be determined that the woman is Ditra Flame (she is born with the name of Ditra Helena Mefford, but will also go by the moniker her adopted parents give her, Princess Orvella Wilson). She eventually becomes the famous "Woman in Black" after meeting the star through her parents when she is hospitalized, in a gravely ill state, when she is only 14 years old and is visited by the actor, who is a friend of her parents. On the occasion of their meeting, Valentino gives the girl a red rose and promised her she would recover, in return for his assurances that she will become well, the actor requests, "If I die before you do, please come and stay by me for awhile because I don't want to be alone." Ditra recovers, and after 1926 and Valentino's death, she begins fulfilling her promise to the actor, at least she does for awhile, a long while as it turns out. She will visit the actor's tomb on anniversary of the day of Valentino's death from 1927 to 1954, then will stop because she does not want to deal with all the other women in black that start also visiting the actor's resting place on the anniversary of his death, before resuming in 1974, and continuing her yearly visits until her death in 1984 (between visits, Flame is a professional violinist who plays in a band called "The Blondes, Brunettes and Redheads, and spends several years working at a Mojave Indian rescue mission, along with dedicating her time to raising money for the Rose of Sharon Missionary Fund) at the age of 78. And there will be other Ladies In Black that include Estrellita del Regil who continues the tradition after Flame's death. Actress Vicki Callahan will have the official duties since 1995, and a woman named Karie Bible that will attend the annual service for Valentino at the Hollywood Forever Cemetery attired completely in black (and there is a women named Anna Maria Carrascosa who will wrongly claim her mother was the actual first Lady In Black).
Ditra Flame At Valentino's Tomb
And as if that craziness isn't enough, almost immediately after Valentino's death, stories start being told that his ghost still haunts the areas he use to live in. At Falcon Lair in Beverly Hills there are numerous reports over the years of phantom footsteps being heard, doors opening and closing without human assistance (along with doorknobs turning though no one is there), and sightings of the actor's ghost at the home's stables petting living horses (one caretaker at the property even runs down the canyon in the middle of the night screaming that he has seen Valentino's ghost). It will be reported that actor Harry Carey eventually moves out of the home because of the frequency of Valentino visits, and heiress Doris Duke, who owns the home for decades (attended by her butler, Bernard Lefferty), will claim to encounter the shade numerous times, and there are reports that Valentino returns to his home to be with thirty mediums in which his spirit states, "This is Rudolph.You are in my house. Please be my guests." . Valentino's shade is also reported to haunt his final resting place at the Hollywood Forever Cemetery (visitors will claim they have encountered the ghost near the actor's crypt), several security guards and studio personnel have reported seeing Valentino dressed in white and also in his famous "Sheik" costume on the grounds of Paramount Studios. He has also been reported to have been seen dancing in the former lounge of the Hollywood Knickerbocker Hotel (even though the establishment opened after the actor's death), there have been reports of paranormal activity taking place at a beach house Valentino owned in Oxnard, a number of guests at the Santa Maria Inn have claimed to have encountered Valentino's spirit in one of the room's the actor always requested during stays there, his ghost is reported to have been spotted in the bathroom of the famous Musso and Frank Grill in Hollywood, and his shade has been said to give out "ghost kisses" to women that occupy Room 264 at the Hollywood Hotel.
The Haunted Falcon Lair Property
Harry Carey, His Wife, And One Of Their Daughters At
Falcon Lair
And not to be left out, it is said that Valentino's dead dog, also haunts a number of places he enjoyed with his master during his brief life. Valentino's favorite pet of all the animals he owned, in 1923 as a young puppy only a few months old, the actor is gifted with a Doberman Pinscher from a Belgian diplomat that will come to be known as "Kabar" (from the Arabic word "kabir," meaning "great," magnificent," or "powerful" and Valentino's pet will display all those characteristics during his life). For actor and dog, it is love at first sight. and the two become inseparable companions with the dog traveling with Valentino (including when the actor is in first class), and sleeping in the same room as his beloved master. Not feeling well and worried how a heatwave in New York might affect his furry pal, Valentino decides to go on his movie promotional tour for "Son of the Sheik" without Kabar, but after four years together the two seem to be psychically linked, and at the moment the actor dies in New York City, thousands of miles away at Falcon Lair, the dog begins howling (many of the actor's other pets also then begin wailing) and is inconsolable as if he knows the actor has passed. Sadly, the pet never gets over the loss and begins constantly prowling his mountain home looking for the actor, and while under the care of Valentino's brother, becomes ill, and eventually runs away. It is believed by many that he vanishes seeking his master. Wherever he went, the dog eventually returns to Falcon Lair a few months later in very poor shape with his paws worn raw and his body excessively thin. Despite the best efforts of a local veterinarian, the dog refuses to eat and passes away on January 17, 1929, seemingly as a result of his broken heart for his missing master. Unable to bury the dog at Falcon Lair due to a city ordinance, Valentino's brother has the dog interned at the newly opened, nearby, Los Angeles Pet Park ... the first animal to be buried there, and in the following years the beloved Doberman Pinscher will be joined by an MGM lion named Tawny, Jiggs the chimpanzee that played Cheetah in the Tarzan movies, Topper, Hopalong Cassidy's horse, Pete the Pup from the "Our Gang" comedy series, Mae West's monkey, Boogie, a Champagne Cocker Spaniel belonging to Humphry Bogart and Lauren Bacall named Droopy, Boots, Charlie Chaplin's cat, an Irish Setter named Muggins that belonged to Jimmy Durante, along with pets once owned by William Randolph Hearst, William Shatner, Alfred Hitchcock, Bob Barker, Debby Reynolds, Diana Ross, Eddie Fisher, Tori Spelling, Betty Grable, Steven Spielberg, Harry James, Bing Crosby, Ida Lupino, Edward G. Robinson, and Peter Lorre.
At Falcon Lair
Formal Portrait
But like his master, death doesn't stop the canine from continuing to seek out his beloved owner, and over the years there will be reports of the dog roaming the grounds of the Memorial Park he is buried at, with visitors over the years saying that near his grave barking and panting can be heard, and for a privileged few, their hands are licked. Along with the pet cemetery, the devoted dog has also put in many appearances on the grounds of Falcon Lair, usually around the time of his master's birthday, and in 1948 the dog is reported to have been seen by a group of mediums conducting a seance at Valentino's home. A dog lover myself, here's hoping that the two have found each other in the afterlife, and there, will be together forever and ever!